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#This file is the author’s own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
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MONTANITA
As recorded by Ratatat
(From the 2006 Album CLASSICS)
Transcribed by Danny Heater
Converted to text by myamoebafriend (Don’t hate me Danny, just trying to spread your tab!)
Music by Ratatat
Gtr I (E A D G B E) – ‘Untitled’
Gtr II (E A D G B E) – ‘Untitled’
Gtr III (E A D G B E) – ‘Untitled’
Gtr IV (E A D G B E) – ‘Untitled’
Gtr V (E A D G B E) – ‘Untitled’
Q=124
4/4
Gtrs I, IV
Q. E Q. E Q. E Q. E
||——–/18-18—-(17)-|-17——————–|
||o-15—-/20-20—-(18)-|-18—-(16)-16—-(13)-|
||–15——————-|——-(17)-17—-(12)-|
||———————–|———————–|
||o———————-|———————–|
||———————–|———————–|
|
| Gtr II
| H H H H
||————18———|-17——————–|
||o-15——————-|————16———|
||————15———|-14——————–|
||–12——————-|————13———|
||o———————-|———————–|
||———————–|———————–|
|
| Gtr III
| W W
||———————–|———————–|
||o———————-|———————–|
||———————–|———————–|
||———————–|———————–|
||o———————-|———————–|
||———————–|———————–|
H. E E Q. E H
|—————-|———————-|
|-13——-13S16-|-16——————|
|-12——-12S17-|-17—(12)-12——–|
|—————-|——-(13)-13——–|
|—————-|———————-|
|—————-|———————-|
|
| W H H
|—————-|———————-|
|-13————-|-16——————-|
|—————-|————12——–|
|-10————-|-13——————-|
|—————-|————10——–|
|—————-|———————-|
|
| W H. Q
|—————-|———————-|
|—————-|—————-11—|
|—————-|—————-12—|
|—————-|—————-13—|
|—————-|———————-|
|—————-|———————-|
Q. E H Q. E H
|——————|——————|
|-11/—(15)-15—-|–8/—(11)-11—-|
|-12/—(15)-15—-|–8/—(12)-12—-|
|——————|——————|
|——————|——————|
|——————|——————|
|
| H H H H
|——————|——————|
|————15—-|————11—-|
|-15—————|-12—————|
|————12—-|————-8—-|
|-13—————|-10—————|
|——————|——————|
|
| – natural harmonic
[n] – artificial harmonic
n(n) – tapped harmonic
~ – vibrato
tr – trill
T – tap
TP – trem. picking
PM – palm muting
n/ – tremolo bar dip; n = amount to dip
n – tremolo bar down
n/ – tremolo bar up
/n – tremolo bar inverted dip
= – hold bend; also acts as connecting device for hammers/pulls
– volume swell (louder/softer)
x – on rhythm slash represents muted slash
o – on rhythm slash represents single note slash
Misc Legend
———–
| – bar
|| – double bar
||o – repeat start
o|| – repeat end
*| – double bar (ending)
: – bar (freetime)
$ – Segno
& – Coda
Tempo markers – = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths